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THE MIRACULOUS TRANSFORMATION OF THE WORKING CLASS INTO FOREIGNERS

( 2024 )
Feature Documentary Competition |
 
Switzerland
,
Italy
 |
 German, Italian, French |
 130 min

About the film

For over 100 years, the Swiss Social Democratic Party and trade unions shaped working-class culture. Using family photos, animations, music clips, and archival documents, the film explores migration from neighboring countries to Switzerland

Director

Samir

Born in Baghdad in 1955, Samir moved to Switzerland with his parents as a child. After training as a cameraman, he began making his own innovative films in the mid-80s, which drew attention at various festivals. His filmography  includes over 40 short and feature-length films, among them: Babylon 2 (1993), Forget Baghdad  (2002) and the award winning Iraqi Odyssey (2014). Together with documentary filmmaker Werner Schweizer, he took over the production company Dschoint Ventschr Filmproduktion in 1994, which has since made a name for itself as a talent factory for Swiss film.

Producer

Levin Vieth

Production Company

Screenplay

Cinematography

Natascha Vavrina, Eleonora Contessi

Editing

Enrico Fröhlich

Sound

Massimo Mariani

Cast

Contacts

International sales: Dschoint Ventschr Distribution, Simone Grünigner, distribution@dvfilm.ch

Producer

Levin Vieth

Production Company

Screenplay

Cinematography

Natascha Vavrina, Eleonora Contessi

Editing

Enrico Fröhlich

Sound

Massimo Mariani

Cast

Contacts

International sales: Dschoint Ventschr Distribution, Simone Grünigner, distribution@dvfilm.ch

More About Film

As is often the case in Samir’s documentaries, the filmmaker’s personal or family histories are admirably intertwined with the  ‘Big History’,  the one that shows the incidence of private experiences in the society and culture of the countries that were most affected. In this case, the arrival of Samir’s family in Switzerland in the early 1950s (his Iraqi father had left his homeland because he was in great disagreement with the government) coincided with the great migration movement from Southern Europe to Northern Europe (particularly France, Germany, Switzerland and Belgium). As a result of the  massive immigration,  the Socialist Party and the Swiss trade unions that had for years shaped the culture of the working class on the basis of principles of solidarity, since the late 1960s took on a  racist attitude toward immigrant workers. There is no longer any talk of working class, as the Swiss now all belong to the middle class while those who used to be called ‘workers’ are now simply ‘the foreigners’, the ones who are left to sleep in shacks, who cannot have their families join them, who bother women and commit most crimes. What makes this documentary particularly relevant is that the children and grandchildren of yesterday’s migrants have now become middle class themselves, but the tragedy experienced by their fathers does not prevent them from replicating the same racist behavior with the new migrants who, today,  driven by hunger and wars,  arrive in Europe from Africa. Once again the new migrants are exploited and relegated to do the most menial jobs, have no rights, live in dilapidated buildings and are the prime suspects for a theft, a fight, a murder. The film is constructed with a skillful blend of materials: institutional footage from the period, news reports,  television programs, firsthand accounts, a wide selection of valuable film and photographic archives, and excerpts from feature films of the time. A delightful, simple animation is entrusted with the narration of episodes from Samir’s life. Teresa Cavina

Producer

Levin Vieth

Screenplay

-

Cinematography

Natascha Vavrina, Eleonora Contessi

Editing

Enrico Fröhlich

Sound

Massimo Mariani

Cast

-

Contact

International sales: Dschoint Ventschr Distribution, Simone Grünigner, distribution@dvfilm.ch

More About Film

As is often the case in Samir's documentaries, the filmmaker's personal or family histories are admirably intertwined with the  'Big History',  the one that shows the incidence of private experiences in the society and culture of the countries that were most affected. In this case, the arrival of Samir's family in Switzerland in the early 1950s (his Iraqi father had left his homeland because he was in great disagreement with the government) coincided with the great migration movement from Southern Europe to Northern Europe (particularly France, Germany, Switzerland and Belgium). As a result of the  massive immigration,  the Socialist Party and the Swiss trade unions that had for years shaped the culture of the working class on the basis of principles of solidarity, since the late 1960s took on a  racist attitude toward immigrant workers. There is no longer any talk of working class, as the Swiss now all belong to the middle class while those who used to be called ‘workers’ are now simply 'the foreigners', the ones who are left to sleep in shacks, who cannot have their families join them, who bother women and commit most crimes. What makes this documentary particularly relevant is that the children and grandchildren of yesterday's migrants have now become middle class themselves, but the tragedy experienced by their fathers does not prevent them from replicating the same racist behavior with the new migrants who, today,  driven by hunger and wars,  arrive in Europe from Africa. Once again the new migrants are exploited and relegated to do the most menial jobs, have no rights, live in dilapidated buildings and are the prime suspects for a theft, a fight, a murder. The film is constructed with a skillful blend of materials: institutional footage from the period, news reports,  television programs, firsthand accounts, a wide selection of valuable film and photographic archives, and excerpts from feature films of the time. A delightful, simple animation is entrusted with the narration of episodes from Samir's life. Teresa Cavina