There are quite a few films titled “Father” or similar variations, and the family dynamics between fathers and their children often present captivating drama. While we may assume that the nature of communication between a parent and their son or daughter follows fixed patterns, cinema frequently uncovers additional layers, surprising us with the vast differences that can exist within each of these relationships.The film Tata by directors Lina Vdovîi, Radu Ciorniciuc—marking their second appearance at the El Gouna Film Festival—provides a complex portrayal of a father who is damaging to his family. His daughter, the film’s director, has cut ties with him, but he suddenly reenters her life, pleading for her help to escape his abusive Italian employer. This forces her to confront him once again.One of the film’s most striking elements is the stark contrast in the father’s character. In Italy, he appears submissive and broken, prompting questions about the reasons for his daughter’s estrangement. However, when he returns home to his family, he transforms into a harsh and demanding figure, seeking to control everyone around him. This shift creates the impression of two entirely different people.As viewers, we find ourselves in a state of emotional confusion regarding the father, constantly questioning whether we should feel pity for him or disdain. This dilemma reflects the complex relationships many people have with their fathers; not all fathers are ideal, but how do we navigate these challenging connections?Unlike other films that attempt to provide us with a dreamlike answer, Tata leans towards a realistic perspective. There are things we cannot change, and we are left with the choice to either accept them as they are or let them go completely.Andrew Mohsen