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BLUE MOON

( 2025 )
Official Selection Out of Competition |
 
United States
,
Ireland
 |
 English |
 100 min

About the film

Richard Linklater’s Blue Moon captures the rise and fall of legendary lyricist Lorenz Hart, where Broadway brilliance meets solitude and decline. Ethan Hawke delivers a stirring lead, while Andrew Scott’s celebrated performance earned the Silver Bear for Best Supporting Performance at Berlinale.

Director

Richard Linklater

Richard Linklater, born 1960, is an acclaimed American filmmaker celebrated for his innovative approach to time and narrative. He gained international recognition with Slacker (1990) and Dazed and Confused (1993), followed by the celebrated Before trilogy (1995–2013), which premiered at major festivals worldwide. His groundbreaking film Boyhood (2014), shot over twelve years, earned him the Golden Globe Award for Best Director and Academy Award nominations, and won the Silver Bear for Best Director at the Berlinale for Before Sunrise. Linklater has presented films at Cannes, Venice, and Berlin, confirming his standing as one of contemporary cinema’s most influential voices.

Producer

Mike Blizzard, John Sloss, Richard Linklater, Joshua Foster

Production Company

Screenplay

Robert Kaplow

Cinematography

Shane F. Kelly

Editing

Sandra Adair

Sound

Tom Hammond

Cast

Ethan Hawke, Margaret Qualley, Bobby Cannavale, Andrew Scott

Contacts

International Sales: Sony Pictures Classics, United States, sony_classics@spe.sony.com; Middle East Distributor: Empire Entertainment, Lebanon, info@empiremena.com

Producer

Mike Blizzard, John Sloss, Richard Linklater, Joshua Foster

Production Company

Screenplay

Robert Kaplow

Cinematography

Shane F. Kelly

Editing

Sandra Adair

Sound

Tom Hammond

Cast

Ethan Hawke, Margaret Qualley, Bobby Cannavale, Andrew Scott

Contacts

International Sales: Sony Pictures Classics, United States, sony_classics@spe.sony.com; Middle East Distributor: Empire Entertainment, Lebanon, info@empiremena.com

More About Film

Director Richard Linklater chooses just two hours from the life of the late American songwriter Lorenz Hart, and within this brief period, he manages to distill so much of Hart’s life. Linklater offers a masterful lesson on bringing a true-life character to the screen, without overloading it with unnecessary details, and without ever needing to leave a single location.Biographical films about real-life icons are almost always enjoyable to watch, and every award season has at least one or two of them. Audiences love to see how filmmakers reimagine real-life personalities, how actors bring them to life, and how closely the films reflect the people as they appeared in television interviews. In this film, Linklater chooses a specific moment as the starting point, the opening night of the musical “Oklahoma!” in March of 1943, set in the bar where the show’s creators gather to celebrate the premiere.Lorenz Hart sits in a bar, waiting for his former partner and longtime collaborator, composer Richard Rodgers, who has since parted ways with him to compose “Oklahoma!”. Over the course of the film, we see how Lorenz Hart, portrayed brilliantly by Ethan Hawke, is a mix of sharp wit, biting humor, and evident vanity. We see this through the finely crafted dialogue by Robert Kaplow, which gradually reveals the depths of Hart’s character to us, whether through his sharp-tongued remarks about others, his mockery of “Oklahoma!” itself, or through the reactions of those around him, revealing how deeply they admire him despite his merciless wit. The film doesn’t forget to reveal the protagonist’s vulnerable/emotional side. We see his affection for a woman much younger than himself, and while it’s clear she doesn’t share his feelings, she’s gently moved by his affection. Through this blend of vulnerability and pride, Hart’s character comes fully into view.Andrew Mohsen

Producer

Mike Blizzard, John Sloss, Richard Linklater, Joshua Foster

Screenplay

Robert Kaplow

Cinematography

Shane F. Kelly

Editing

Sandra Adair

Sound

Tom Hammond

Cast

Ethan Hawke, Margaret Qualley, Bobby Cannavale, Andrew Scott

Contact

International Sales: Sony Pictures Classics, United States, sony_classics@spe.sony.com; Middle East Distributor: Empire Entertainment, Lebanon, info@empiremena.com

More About Film

Director Richard Linklater chooses just two hours from the life of the late American songwriter Lorenz Hart, and within this brief period, he manages to distill so much of Hart’s life. Linklater offers a masterful lesson on bringing a true-life character to the screen, without overloading it with unnecessary details, and without ever needing to leave a single location.Biographical films about real-life icons are almost always enjoyable to watch, and every award season has at least one or two of them. Audiences love to see how filmmakers reimagine real-life personalities, how actors bring them to life, and how closely the films reflect the people as they appeared in television interviews. In this film, Linklater chooses a specific moment as the starting point, the opening night of the musical "Oklahoma!" in March of 1943, set in the bar where the show’s creators gather to celebrate the premiere.Lorenz Hart sits in a bar, waiting for his former partner and longtime collaborator, composer Richard Rodgers, who has since parted ways with him to compose "Oklahoma!". Over the course of the film, we see how Lorenz Hart, portrayed brilliantly by Ethan Hawke, is a mix of sharp wit, biting humor, and evident vanity. We see this through the finely crafted dialogue by Robert Kaplow, which gradually reveals the depths of Hart’s character to us, whether through his sharp-tongued remarks about others, his mockery of "Oklahoma!" itself, or through the reactions of those around him, revealing how deeply they admire him despite his merciless wit. The film doesn’t forget to reveal the protagonist’s vulnerable/emotional side. We see his affection for a woman much younger than himself, and while it’s clear she doesn’t share his feelings, she’s gently moved by his affection. Through this blend of vulnerability and pride, Hart’s character comes fully into view.Andrew Mohsen