By keeping her camera inside the Migrants’ Cemetery in Brussels to document the spiritual connection between visitors and their deceased loved ones, Karima Saïdi’s documentary becomes a meditative exploration of death as part of the eternal cycle of life. Her camera’s intimate gaze on the cemetery—chosen by migrants of various religions and ethnicities as a shared resting place on their journey to eternity—captures the tender details of families visiting their graves, revealing how their lives remain intertwined with those who have passed, despite their absence.The director captures the visitors as they speak to their departed loved ones, openly sharing their feelings and worries. They come seeking a bond they refuse to let fade. The repeated scenes of cleaning and tending to the graves reaffirm this connection. Tombstones bearing names and dates recall the time they once shared. Death stirs sorrow, intensified by the rumble of the digging machines, yet time gently eases the pain. These visits take on a different tone, where joy and sadness intertwine, and sometimes even blossom into new friendships. Visitors share sweets to honor their dead, guided by a sense that everyone here inhabits the same space in peace—able to rise above the differences that may once have divided them. Here, there is no separation between Muslim, Christian, or Jewish graves. The migrants’ cemetery in Brussels thus becomes a place of much-needed harmony, where ethnicities, religions, and communities meet. The film’s beauty lies in this very idea: through it, the Moroccan filmmaker offers an intimate and profoundly personal cinematic vision of the cemetery, reflecting on the passage to eternity as something that exists side by side with life itself.Kais Kasim